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"BORN IN EAST L.A."

BIOGRAPHY

Mentor Huebner and Cheech Marin were born in East LA and each has appeared to be equally proud of the fact, and although Mentor didn't write a song to tell the world, still he so identified with the 'tough guy' image of the neighborhood, that when anyone asked about his place of birth he'd never say, "LA" ~ but instead would laugh and brag, "Boyle Heights", adding as though it was important - the line from Cheech Marin's song, "I was born in East LA".

Mentor Huebner was born July 19, 1917, in a little turn of the century house in East LA, in a section known as Boyle Heights, and was delivered by a professional Midwife ~ his own Grandma Huebner.

Although he was a second born son, he'd been given his father's first name, much to the chagrin of his older brother, who never forgave him for being the "Mentor II", nor for being a talented painter nor for having spent his entire adult life working in the motion picture industry, which his older brother felt was in someway connected with Mentor's distinctive name.

When Mentor II was ten years old, "Mentor I", died from tuberculosis (which had run rampant in the late 1920's). He was only 33. He had spent his tragically short adult life as a chauffeur and mechanic ~ and not as an artist of fine arts or a designer in the film industry. (If the older brother's theory was correct, Destiny made a mistake.) Another 'mistake' occurred when Mentor's Dad's rich ''Boss' tipped him with a chunk of land, which he promptly sold for $200.00. It was Signal Hill.

Still this fact did not dissuade "son number one" from his belief that he had not only been cheated out of his father's first name, but also out of everything that he believed would have accompanied it: the mystical 'birthright' of fame, fortune, notoriety and at least one beautiful wife, all of which supposedly went along with the name

'Mentor' has now become a family name, but it had not been at the start. Grandma Huebner, was responsible for starting the Mentor Dynasty. Impressed with the Latin name, after she discovered it in a history book. She was the one who had gotten the name going.

At this time there are two other additional Mentors; our first first born son, "Mentor III" and his son, "Mentor IV". "Mentor IV" promises there will, in the future, be a "Mentor V" , "For sure Grandma, I promise. I swear".

***

After, Mentor's poor, young Dad died of tuberculosis, it was necessary for his mother to work in order to support the two brothers.

Since she had no particular training, her brother-in-law, Dr. Frank McCoy, a famous medical nutritionist and radio personality gave her a job in his office, four hours a night, filing the day's paper work and Mentor, ten years old at the time, accompanied her.

McCoy's office was well stocked with what seemed to Mentor to be a gift from God, a treasure chest filled with an abundance of pads of paper, pens and pencils.

Mentor would settle down quietly in the patient's waiting room, and spend the hours 'drawing'.

Actually, that period of time, at McCoy's, was not the beginning of Mentor's creativity. When his Dad had first become ill, his Swedish, maternal grandmother, who had a chicken ranch out in the desert, kept little Mentor for entire summers.

Between chasing chickens, patrolling the acreage with his kid uncle Ernie, and looking at 'pictures' in comic books, Mentor spent his time drawing.

He often sent letters home to his mother, with drawings interspersed between childish scrawls and misspelled words. So it seems he had begun to draw in earnest when he was around eight years of age.

Mentor's mother attributed his ability to the fact that when she was pregnant with Mentor she had frequented many Los Angeles art galleries and museums.

"That's what did it." She bragged throughout his life. As the only connection with art on either side of the family had been those museums. What else could it be?

Uncle Ernie of course believed it had been the exposure to his collection of comic books. "That helped!"

Mentor's irate brother insisted, "He's a show-off..."

"Mentor's a good boy" said Grandma. "He's going to be an artist". And indeed that's what he did do. He became an artist. Grandma was right.

***

Mentor's family's ethnic background was a mixture of several European nationalities. His mother's family - she always lectured, was 'pure' Swedish. My mother-in-law prided herself on being a 'blue eyed blond' due to that bit of chance 'luck'. But I've seen quite a few dark Swedes. Very dark. In fact they are called Black Swedes! She though -- always reassured me -- wasn't one of them!

Mentor's father's family was from Austria Hungary and mostly of German heritage. However, Grandma Huebner's family carried a spec of Russian and Polish. She was definitely not a 'blue eyed blond' and was often mistaken for a Gypsy.

My mother-in-law as destiny would have it was cruelly placed between the bookends of a mother-in-law and daughter-in-law who shared the distinction of being "The Huebner Gypsies".

Mentor had greenish hazel eye coloring and although he had been a platinum blond from childhood up through elementary school, his hair darkened to a golden ash brown as he reached adulthood.

Until I saw him naked I was under the impression he was dark skinned. However, since he was a 'plein aire painter' and worked outdoors constantly ~ painting landscapes and seascapes and cityscapes ~ he was always darker and a kind of golden brown.

He tanned quickly. So much so that during the Algerian Revolution while we were on location in France for the film The Longest Day, he was frequently stopped by the military police as a suspect of terrorist activities.

Sometimes this would happen as he left the Bank of America in downtown Paris. Or while shopping for veggies at an open air market not far from our apartment in Saint Cloud.

But come to think of it he was also, often pulled over in Los Angeles, California, at Los Felix and Riverside Drive, as he drove past the Fountain, because he looked 'suspicious'.

He never crossed any border easily.

Traveling by car throughout Europe loaded with our three kids, baby paraphernalia, luggage for all, along with three trunks (on top of the car), painting supplies, and sixty pound cans of French SMA Baby Formula -- without an inch to spare anywhere in the car and with no air pockets -- we would be stopped at each border and asked to unload for 'inspection'.

Time and time again I would be forced to use my charms to get us past the Border Patrol.

As I worked my potentials, the Guards would "Senora" me this and "Senora" me that, stare directly into my eyes, admire 'my' twins, comment on the politeness of the "good big brother", while one or the other would take turns to glare at Mentor!

I don't know to this day what caused all that.

I guess Mentor had vibes.

I thought he was sexy.

But, the Border Patrols must have seen things differently.

Them, and the Cops on Riverside Drive.

(To be continued)

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Louise Huebner. (c) 2003

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